Wednesday, July 30, 2008

The Door in the Wall


A good friend recently lent me The Door in the Wall to read. I finished reading it last night, whilst curled up like a cat in front of the heater. *Sighs with contentment*. . . there's nothing like a good book and a cosy corner to ward away the cold of winter.

Anyway, about the book: it is a charming little book about a little boy named Robin. The son of a noble, Robin lives in mediaeval London with his mother and father, until his father goes to fight in the Scottish Wars and his mother is summoned by the Queen to be Her Majesty's lady in waiting. London is at this time in the throes of the Black Death. Robin becomes afflicted by a fever: it isn't the plague but it ends up leaving his legs useless, "[Like] two sausages. Bent ones".

Marguerite de Angeli is a wonderful wordsmith. The characters and setting all become very real, and the 'mediaeval' English dialogue seems natural, not awkward or affected as it is in some other historical books. Also the 'history' in historical isn't constantly jammed down the readers throat! One comes to grow fond of the characters themselves; the historical setting is of secondary importance, as it should be.

De Angeli is a talented artist with drawing as well as words - the book is full of gorgeous illustrations. But above all, she is a gifted storyteller, and indeed this is an engaging, heartwarming story. The ending had me in tears!

The Door in the Wall is a lovely book, highly recommended for children, and for adults who hide a whimsical, fun-loving little boy or girl beneath their sensible, grown-up exterior.

If you want to buy it cheap eBay would be the way to go, or if you're not an eBay person, The Book Depository has it for a good price (+ no postage!).

Tuesday, July 29, 2008

Castles on TV

To all Australian readers who (like me) have a penchant for castles, this week's episode of Buildings that Shaped Britain is all about castles and monasteries! I've missed all of this series so far (I didn't know that it was on :-( ) but I'll be watching it this week.

It's on ABC1 Thursday 31st July at 6:10 pm. Many thanks to my wonderful Granny who let me know about this!

You can click here for more information.

Monday, July 28, 2008

The Wounded Cavalier


The Wounded Cavalier, by William Shakespeare Burton. Click here to view full-size image. Sorry this isn't a great reproduction, go to your library and borrow some books on the Pre-Raphaelites for a better picture! More on this later...

William Shakespeare Burton was born in London in 1824, the son of an (guess!) actor. He seems to have been a very sensitive, high-strung man, easily hurt by the criticism of others. So much so that he pretty much stopped painting in later life.

The Wounded Cavalier, painted in 1856, was by far his most popular painting, the masterpiece that made him his reputation as an artist. It caused a great stir when it was first exhibited because of its incredible attention to detail.

It truly is a most beautiful painting, one of my favourite Pre-Raphaelite paintings. We see three figures in a clearing in a forest: a badly wounded soldier, a young Quaker girl tending him, and the girl's lover, holding a massive Bible and looking upon the pair with some measure of dubiousness (perhaps jealousy?) in his face.

Standing between us and this intriguing little threesome is a tree with a broken sword stuck fast in its trunk. This is presumably how the young cavalier got wounded - his weapon stuck in the tree and broke, hence he was unable to defend himself from his attacker. Delicately poised on the edge of the blade is a butterfly. Why did the artist put the butterfly there? What is it supposed to signify? Maybe we will never know for certain.

The historical setting for this painting is supposed to be around 1650, the time of the British Civil War, but it holds a sort of timeless appeal. It is a scene that belongs not in any specific time period, but rather in an ageless world of fairy tales and myths. This is one reasons why PRB paintings are still so appealing to us today: they may at first seem to be old-fashioned, but eventually they draw us into their magical, Arthurian world. Through them we can escape to a place where there is chivalry, romance, and beauty in abundance - three things sorely missing in modern society. The Pre-Raphaelites felt that the Victorian world in which they lived was almost totally devoid of these qualities, yet how much worse is the situation today in the 21st century!

Although this is the only Pre-Raphaelite painting Burton ever produced, it manages to bring together everything the PRB stood for. It is, as I said earlier, one of my favourite paintings to have sprung from the Pre-Raphaelite movement.