I just couldn't resist sharing this picture with you all. . . :-D
(Full-size pic here)
~L.M. Montgomery - Anne of Green Gables books and others~
~Laura Ingalls Wilder - Little House on the Prairie series~
~C.S. Lewis - The Chronicles of Narnia~
~L.M. Alcott - Little Women books and others~
~Arleta Richardson - Grandma's Attic novels~
~Johanna Spyri and Charles Tritten - Heidi books~
~Ethel Turner - Seven Little Australians series~
~Frances Hodgson Burnett~
~Patricia St John~
~Miscellaneous~~No. 14 - The Inheritance~
What would be your reaction if a new, complete Jane Austen novel - written when she was in her teens - were discovered? Well, that's what happened in 1988 - only the author in question was Louisa May Alcott, not Jane Austen. The book - The Inheritance, written when Alcott was just seventeen - was first published and hence made available to the public for the first time in 1997. In the same year, a TV movie adaptation was aired. The movie makes some pretty major changes (some might say improvements) from the book, but essentially it's still the same story and characters.
You know, I always find the plot synopsis part of a review rather boring (and often confusing) to read. Besides, it spoils the story. So in this series of reviews, I'll try to avoid writing about the plot, and just focus on the movie itself, and my thoughts on it.
Technically, this isn't that great a movie. Period drama is something that the British do remarkably well - sadly, not so the Americans or us Aussies. The script isn't that great; some of the acting is good, while some of it is honestly pretty bad! The costumes and sets are nice, but not stunning.
And yet, it works. As I said, some of the acting (particularly from the actors playing the two "baddies") is sub-par, but the chemistry between the two leads is good, and Tom Conti's and Meredith Baxter's performances were genuinely good. The story may be predictable, but it's sweet, and besides, it's refreshing to find a family-friendly love story that isn't Austen or Gaskell. . .
It's several degrees less brilliant than most BBC miniseries, but several degrees less cheesy than your average Hallmark movie. In other words, whatever its shortcomings may be, I would still heartily recommend The Inheritance to anyone looking for a clean, enjoyable romance. It's also a movie for all ages - my grandparents loved it, as did my younger brothers and sisters!
I've recently been re-reading Ethel Turner's Australian classic, Seven Little Australians. I had almost forgotten how good it was/is! First published in 1894, and set in late-19th-century Sydney, Seven Little Australians recounts the adventures and mishaps of the seven Woolcot children, ranging in age from 16 to 0. Their father, Captain Woolcot, is a stern, authoritarian parent who really doesn't understand his children at all. The step-mother, Esther, is barely 20 and is scarcely any older than the oldest child. The children's mother died several years before the story takes place.
The seven children get into all sorts of mischief. - This was one of the first childrens books to portray children in a realistic, wholly unsentimental way.

Seven Little Australians was a bestseller in Australia and overseas when it was first published, and I don't think it's ever been out of print since. However, it doesn't seem to be as widely read now as it was 50 - or 100 - years ago. Amongst homeschooling and/or bookwormish families it remains quite a favourite, but in general, not many children - or adults - seem to be reading it. I don't know, maybe it's just me. . .

From the 1973 TV adaptation of Seven Little Australians
Anyways, if you enjoyed Little Women or Anne of Green Gables, I highly recommend that you give SLA a look. Ethel Turner's writing style is similar to Louisa May Alcott's, only less sentimental. Unlike Alcott, Turner does not deliberately set out to build a moral into each chapter, which is refreshing, in a way.
Ethel Turner wrote two sequels to Seven Little Australians - The Family at Misrule and Little Mother Meg, both of which are very good, and both of which are unfortunately currently out of print.

1973 adaptation
There was a miniseries made of Seven Little Australians in the '70s, which was fairly good, though it deviated from the novel in some points. You can watch a couple of clips from the series here.
Enjoy!
~~~~~

#1: Fanny Price from Jane Austen's Mansfield Park
I can identify more keenly with Fanny than any other Austen heroine. In fact, we're so alike, that when I was reading Mansfield Park I could easily imagine that I was Fanny, if that makes any sense. I'm never going to be an Elizabeth Bennet - I'm far too shy and stupid - but I've always felt a special kinship with Fanny. Sorry, I know that sounds cheesy, but I can't describe it any other way! Unfortunately, there hasn't yet been a really good on-screen Fanny. At least Sylvestra La Touzel's Fanny bears some resemblance to the Fanny of the book, which is more than can be said for Frances O'Connor's or Billie Piper's performances.
#2: Elizabeth Bennet from Jane Austen's Pride and Prejudice
Arguably one of literature's most delightful heroines. Intelligent, witty, and very pretty. . . Lizzy would make a wonderful friend. She isn't perfect, but her humanity only adds to her charm. (Ugh! Why does that last sentence sound so trite and prosy?) Keira Knightley isn't necessarily my favourite Lizzy, but in my opinion she looks more like Elizabeth than any of the other on-screen Lizzies, which is why she's in the photo here.

#3: Anne Shirley from L.M. Montgomery's Anne of Green Gables series
You could say that Anne is the Montgomery equivalent of Austen's Elizabeth Bennet. I've read many, many, L.M. Montgomery books, and I love all of her heroines, but I think it's safe to say that Anne is Montgomery's most perenially popular young heroine. Red-headed Anne is romantic, sweet, hot-tempered, and has an almost limitless imagination. A true "kindred spirit".

#4: Anne Elliot from Jane Austen's Persuasion
The heroine of my favourite Jane Austen novel - Persuasion. Anne Elliot is Austen's most mature heroine - at the ripe old age of 27, she is 6 years older than any of Austen's other heroines. Anne's personality and appearance is very much in line with the tone of the novel Persuasion - subtle, understated, but with an enduring inner beauty that blooms as the story develops.

#5: Molly Gibson from Elizabeth Gaskell's Wives and Daughters
Dear, sweet Molly Gibson! How could anyone not love her? :-) Molly is a beautiful person inside and out. She also has a mind of her own, and is never afraid to voice her opinions. Fortunately for him, Roger Hamley came to his senses and realised what an amazing person she was/is before it was too late.
#6: Elinor Dashwood from Jane Austen's Sense and SensibilityOne of the nicest big sisters in literature. Sensible, level-headed and caring, Elinor would be a wonderful sister or friend. I can identify with Elinor on a number of levels - particularly her protective, big-sisterly instincts towards Marianne. I often feel exactly the same way about my own little sisters. Emma Thompson's performance as Elinor is, I feel, the strongest - but Hattie Morahan looks more like Elinor.
#7: Marianne Dashwood from Jane Austen's Sense and Sensibility
Both of the two elder Dashwood sisters are here. It was impossible for me to separate them on this list. They pretty much tie for no. 6. I thought that Kate Winslet captured fairly well the sweetness and free-spiritedness of Marianne's character.
#8: Margaret Hale from Elizabeth Gaskell's North and South
One of the strongest, most memorable heroines of Victorian literature. Margaret isn't afraid of flaying Victorian conventions. After leaving her home in South of England, Margaret ends up befriending millworkers in 1850s Manchester, and frequently clashing with mill owner Mr. Thornton. Daniela Denby-Ashe was pretty good as Margaret, though it is the Margaret Hale of Elizabeth Gaskell's book that will forever endure in my imagination.
#9: Amy Dorrit from Charles Dickens' Little DorritThe heroine of Charles Dickens' Little Dorrit. Claire Foy's luminous performance as Amy Dorrit in the BBC's recent adaptation was wonderful. Her scenes with Matthew MacFadyen (Mr. Darcy in P&P 2005) were excellent. Technically I probably shouldn't include Amy here, because I haven't read Little Dorrit - I've only seen the tv series. Still, if the Amy of the book is anything like the Amy of the series, she deserves to be on this list.

#10: Edith Adelon from Louisa May Alcott's The Inheritance
As is sometimes the case with Alcott, Edith does come across as a little bit too perfect in the book, but Cari Shayne's Edith in the 1997 adaptation is very sweet and very likeable.

#11: Catherine Morland from Jane Austen's Northanger Abbey
The young, naive, and somewhat gullible heroine of Jane Austen's charming Northanger Abbey. It's difficult not to like Catherine, even though she may not be the wisest, most mature Austen heroine.

#12: Lucy Pevensie from C.S. Lewis's Chronicles of Narnia series
Lucy's innocent, childlike faith and wonder is one of the most inspiring elements of the Chronicles of Narnia series. Georgie Henley was only 8 years old when the first Narnia movie was filmed, but she did an awesome job, stealing the show as little Lucy Pevensie.
#13: Josephine March from Louisa May Alcott's Little Women seriesThe heroine of Louisa May Alcott's semi-autobiographical novel - bookworm, tomboy, and author, Jo. Strictly speaking, Jo is one of four heroines from Little Women - but she is the most human of the four March sisters, and the character with whom the reader usually identifies the most.

#14: Eowyn from J.R.R. Tolkien's The Lord of the Rings
One of the very few major female characters in The Lord of the Rings. Eowyn's spirit and courage was one of my favourite aspects of LOTR when I first read the books. And I adored the romance between Eowyn and Faramir. :-) Miranda Otto's Eowyn isn't quite how I imagined Eowyn to be, but it was still a strong performance.

#15: Jane Eyre from Charlotte Bronte's Jane Eyre
I feel bad about having Jane Eyre way down at no. 15! Just bear in mind that this list isn't necessarily in any particular order - Jane is last, but not least! Jane Eyre is a passionate, yet outwardly restrained young woman. The book Jane Eyre is an amazing read - the story of a friendless orphan's search for love, family, and fulfillment. Zelah Clarke's (Jane Eyre 1983) and Ruth Wilson's (JE 2006) portrayals of Jane were both very good.
I always get sooo excited when a new book/s arrive in the mail!! In the past couple of weeks, I've added 5 beautiful Penguin Classics books to my growing collection - first Wuthering Heights (which I have already read but wanted to re-read) and Northanger Abbey from Fishpond (I actually already had a copy of NA, but you can never have too many editions of a Jane Austen book. . . ); then Little Women from a lady in France via BookMooch; then today Fanny Burney's Evelina and Charlotte Bronte's Villette!Enjoy!
~~~~~

#1: Fanny Price from Jane Austen's Mansfield Park
I can identify more keenly with Fanny than any other Austen heroine. In fact, we're so alike, that when I was reading Mansfield Park I could easily imagine that I was Fanny, if that makes any sense. I'm never going to be an Elizabeth Bennet - I'm far too shy and stupid - but I've always felt a special kinship with Fanny. Sorry, I know that sounds cheesy, but I can't describe it any other way! Unfortunately, there hasn't yet been a really good on-screen Fanny. At least Sylvestra La Touzel's Fanny bears some resemblance to the Fanny of the book, which is more than can be said for Frances O'Connor's or Billie Piper's performances.
#2: Elizabeth Bennet from Jane Austen's Pride and Prejudice
Arguably one of literature's most delightful heroines. Intelligent, witty, and very pretty. . . Lizzy would make a wonderful friend. She isn't perfect, but her humanity only adds to her charm. (Ugh! Why does that last sentence sound so trite and prosy?) Keira Knightley isn't necessarily my favourite Lizzy, but in my opinion she looks more like Elizabeth than any of the other on-screen Lizzies, which is why she's in the photo here.

#3: Anne Shirley from L.M. Montgomery's Anne of Green Gables series
You could say that Anne is the Montgomery equivalent of Austen's Elizabeth Bennet. I've read many, many, L.M. Montgomery books, and I love all of her heroines, but I think it's safe to say that Anne is Montgomery's most perenially popular young heroine. Red-headed Anne is romantic, sweet, hot-tempered, and has an almost limitless imagination. A true "kindred spirit".

#4: Anne Elliot from Jane Austen's Persuasion
The heroine of my favourite Jane Austen novel - Persuasion. Anne Elliot is Austen's most mature heroine - at the ripe old age of 27, she is 6 years older than any of Austen's other heroines. Anne's personality and appearance is very much in line with the tone of the novel Persuasion - subtle, understated, but with an enduring inner beauty that blooms as the story develops.

#5: Molly Gibson from Elizabeth Gaskell's Wives and Daughters
Dear, sweet Molly Gibson! How could anyone not love her? :-) Molly is a beautiful person inside and out. She also has a mind of her own, and is never afraid to voice her opinions. Fortunately for him, Roger Hamley came to his senses and realised what an amazing person she was/is before it was too late.
#6: Elinor Dashwood from Jane Austen's Sense and SensibilityOne of the nicest big sisters in literature. Sensible, level-headed and caring, Elinor would be a wonderful sister or friend. I can identify with Elinor on a number of levels - particularly her protective, big-sisterly instincts towards Marianne. I often feel exactly the same way about my own little sisters. Emma Thompson's performance as Elinor is, I feel, the strongest - but Hattie Morahan looks more like Elinor.
#7: Marianne Dashwood from Jane Austen's Sense and Sensibility
Both of the two elder Dashwood sisters are here. It was impossible for me to separate them on this list. They pretty much tie for no. 6. I thought that Kate Winslet captured fairly well the sweetness and free-spiritedness of Marianne's character.
#8: Margaret Hale from Elizabeth Gaskell's North and South
One of the strongest, most memorable heroines of Victorian literature. Margaret isn't afraid of flaying Victorian conventions, befriending millworkers in 1850s Manchester, and frequently clashing with mill owner Mr. Thornton. Daniela Denby-Ashe was pretty good as Margaret, though it is the Margaret Hale of Elizabeth Gaskell's book that will forever endure in my imagination.
#9: Amy Dorrit from Charles Dickens' Little DorritThe heroine of Charles Dickens' Little Dorrit. Claire Foy's luminous performance as Amy Dorrit in the BBC's recent adaptation was wonderful. Her scenes with Matthew MacFadyen (Mr. Darcy in P&P 2005) were excellent. Technically I probably shouldn't include Amy here, because I haven't read Little Dorrit - I've only seen the tv series. Still, if the Amy of the book is anything like the Amy of the series, she deserves to be on this list.

#10: Edith Adelon from Louisa May Alcott's The Inheritance
As is sometimes the case with Alcott, Edith does come across as a little bit too perfect in the book, but Cari Shayne's Edith in the 1997 adaptation is very sweet and very likeable.

#11: Catherine Morland from Jane Austen's Northanger Abbey
The young, naive, and somewhat gullible heroine of Jane Austen's charming Northanger Abbey. It's difficult not to like Catherine, even though she may not be the wisest, most mature Austen heroine.

#12: Lucy Pevensie from C.S. Lewis's Chronicles of Narnia series
Lucy's innocent, childlike faith and wonder is one of the most inspiring elements of the Chronicles of Narnia series. Georgie Henley was only 8 years old when the first Narnia movie was filmed, but she did an awesome job, stealing the show as little Lucy Pevensie.
#13: Josephine March from Louisa May Alcott's Little Women seriesThe heroine of Louisa May Alcott's semi-autobiographical novel - bookworm, tomboy, and author, Jo. Strictly speaking, Jo is one of four heroines from Little Women - but she is the most human of the four March sisters, and the character with whom the reader usually identifies the most.

#14: Eowyn from J.R.R. Tolkien's The Lord of the Rings
One of the very few major female characters in The Lord of the Rings. Eowyn's spirit and courage was one of my favourite aspects of LOTR when I first read the books. And I adored the romance between Eowyn and Faramir. :-) Miranda Otto's Eowyn isn't quite how I imagined Eowyn to be, but it was still a strong performance.

#15: Jane Eyre from Charlotte Bronte's Jane Eyre
I feel bad about having Jane Eyre way down at no. 15! Just bear in mind that this list isn't necessarily in any particular order - Jane is last, but not least! Jane Eyre is a passionate, yet outwardly restrained young woman. The book Jane Eyre is an amazing read - the story of a friendless orphan's search for love, family, and fulfillment. Zelah Clarke's (Jane Eyre 1983) and Ruth Wilson's (JE 2006) portrayals of Jane were both very good.