#1: Fanny Price from Jane Austen's Mansfield Park
I can identify more keenly with Fanny than any other Austen heroine. In fact, we're so alike, that when I was reading Mansfield Park I could easily imagine that I was Fanny, if that makes any sense. I'm never going to be an Elizabeth Bennet - I'm far too shy and stupid - but I've always felt a special kinship with Fanny. Sorry, I know that sounds cheesy, but I can't describe it any other way! Unfortunately, there hasn't yet been a really good on-screen Fanny. At least Sylvestra La Touzel's Fanny bears some resemblance to the Fanny of the book, which is more than can be said for Frances O'Connor's or Billie Piper's performances.
#2: Elizabeth Bennet from Jane Austen's Pride and Prejudice
Arguably one of literature's most delightful heroines. Intelligent, witty, and very pretty. . . Lizzy would make a wonderful friend. She isn't perfect, but her humanity only adds to her charm. (Ugh! Why does that last sentence sound so trite and prosy?) Keira Knightley isn't necessarily my favourite Lizzy, but in my opinion she looks more like Elizabeth than any of the other on-screen Lizzies, which is why she's in the photo here.
#3: Anne Shirley from L.M. Montgomery's Anne of Green Gables series
You could say that Anne is the Montgomery equivalent of Austen's Elizabeth Bennet. I've read many, many, L.M. Montgomery books, and I love all of her heroines, but I think it's safe to say that Anne is Montgomery's most perenially popular young heroine. Red-headed Anne is romantic, sweet, hot-tempered, and has an almost limitless imagination. A true "kindred spirit".
#4: Anne Elliot from Jane Austen's Persuasion
The heroine of my favourite Jane Austen novel - Persuasion. Anne Elliot is Austen's most mature heroine - at the ripe old age of 27, she is 6 years older than any of Austen's other heroines. Anne's personality and appearance is very much in line with the tone of the novel Persuasion - subtle, understated, but with an enduring inner beauty that blooms as the story develops.
#5: Molly Gibson from Elizabeth Gaskell's Wives and Daughters
Dear, sweet Molly Gibson! How could anyone not love her? :-) Molly is a beautiful person inside and out. She also has a mind of her own, and is never afraid to voice her opinions. Fortunately for him, Roger Hamley came to his senses and realised what an amazing person she was/is before it was too late.#6: Elinor Dashwood from Jane Austen's Sense and Sensibility
One of the nicest big sisters in literature. Sensible, level-headed and caring, Elinor would be a wonderful sister or friend. I can identify with Elinor on a number of levels - particularly her protective, big-sisterly instincts towards Marianne. I often feel exactly the same way about my own little sisters. Emma Thompson's performance as Elinor is, I feel, the strongest - but Hattie Morahan looks more like Elinor.
Both of the two elder Dashwood sisters are here. It was impossible for me to separate them on this list. They pretty much tie for no. 6. I thought that Kate Winslet captured fairly well the sweetness and free-spiritedness of Marianne's character.
One of the strongest, most memorable heroines of Victorian literature. Margaret isn't afraid of flaying Victorian conventions, befriending millworkers in 1850s Manchester, and frequently clashing with mill owner Mr. Thornton. Daniela Denby-Ashe was pretty good as Margaret, though it is the Margaret Hale of Elizabeth Gaskell's book that will forever endure in my imagination.#9: Amy Dorrit from Charles Dickens' Little Dorrit
The heroine of Charles Dickens' Little Dorrit. Claire Foy's luminous performance as Amy Dorrit in the BBC's recent adaptation was wonderful. Her scenes with Matthew MacFadyen (Mr. Darcy in P&P 2005) were excellent. Technically I probably shouldn't include Amy here, because I haven't read Little Dorrit - I've only seen the tv series. Still, if the Amy of the book is anything like the Amy of the series, she deserves to be on this list.
#10: Edith Adelon from Louisa May Alcott's The Inheritance
As is sometimes the case with Alcott, Edith does come across as a little bit too perfect in the book, but Cari Shayne's Edith in the 1997 adaptation is very sweet and very likeable.
#11: Catherine Morland from Jane Austen's Northanger Abbey
The young, naive, and somewhat gullible heroine of Jane Austen's charming Northanger Abbey. It's difficult not to like Catherine, even though she may not be the wisest, most mature Austen heroine.
#12: Lucy Pevensie from C.S. Lewis's Chronicles of Narnia series
Lucy's innocent, childlike faith and wonder is one of the most inspiring elements of the Chronicles of Narnia series. Georgie Henley was only 8 years old when the first Narnia movie was filmed, but she did an awesome job, stealing the show as little Lucy Pevensie.#13: Josephine March from Louisa May Alcott's Little Women series
The heroine of Louisa May Alcott's semi-autobiographical novel - bookworm, tomboy, and author, Jo. Strictly speaking, Jo is one of four heroines from Little Women - but she is the most human of the four March sisters, and the character with whom the reader usually identifies the most.
#14: Eowyn from J.R.R. Tolkien's The Lord of the Rings
One of the very few major female characters in The Lord of the Rings. Eowyn's spirit and courage was one of my favourite aspects of LOTR when I first read the books. And I adored the romance between Eowyn and Faramir. :-) Miranda Otto's Eowyn isn't quite how I imagined Eowyn to be, but it was still a strong performance.
#15: Jane Eyre from Charlotte Bronte's Jane Eyre
I feel bad about having Jane Eyre way down at no. 15! Just bear in mind that this list isn't necessarily in any particular order - Jane is last, but not least! Jane Eyre is a passionate, yet outwardly restrained young woman. The book Jane Eyre is an amazing read - the story of a friendless orphan's search for love, family, and fulfillment. Zelah Clarke's (Jane Eyre 1983) and Ruth Wilson's (JE 2006) portrayals of Jane were both very good.